Creating Testimonial Videos For Health And Wellness Business Industry

It’s not easy to get a testimonial video right. You need to know how to write one, find the right people to speak in it, and make sure your audience likes what they hear. But post-production can be even more challenging than getting everything else right: editing, adding effects, and music—it’s enough to make your head spin!

Fortunately for you, we’re here with our step-by-step guide on how to edit testimonial videos using Wondershare Filmora . So, sit tight because we’re about to take you through each stage of this process from start to finish!

Import Your Media Files to Filmora Video Editor

It includes your testimonial videos and video/photo materials. You can import your media files from the following sources:

• Medial Files
• Medial Folder
• From Camera or a Phone
• With Instant Cutter Tool
• With Auto Beat Sync

To save time, it is best to prepare ahead of time all your videos materials before start editing your testimonial video. Save it in just one folder including your script guide, photos, and videos

Select Your Preferred Project Aspect Ratio

Aspect ratio is the relationship between the width and height of your video, which determines how it will look on different screens. There are several commonly used aspect ratios such as:

• Widescreen (16:9) – Recommended for Youtube and Facebook
• Instagram (1:1) – Recommended for Instagram and Facebook
• Portrait (9:16) – Recommended for Tiktok, Stories and Reels
• Standard (4:3) – Recommended for Facebook, LinkedInn and other

Being aware of the right ratio for each social media platform will help you to advertise correctly. It also affects how you edit your video. For example, if you choose a different aspect ratio than what was originally recorded by Filmora’s camera tools, then some of your content may be cut off or stretched out in undesirable ways when viewed on certain devices (e.g., smartphones).

Split Testimonial Video into Small Clips

When you’re ready, drag your video testimonials to the Show Track then begin to use the “split” button to cut out parts of the video.

To split a video into smaller sections, start by cutting it down to the appropriate length by moving the playhead to the beginning position of the part you want to cut, clicking the Split icon (the scissors icon) on the toolbar, or clicking the Split button on the playhead.

From there, repeat this procedure until you’ve completed the whole narrative. You’ll be left with numerous cut segments that you may either delete or rearrange. To remove a clip from your movie, choose Delete from the toolbar or right-click and select delete.

Add Catchy Headlines and Text (Optional)

If desired, add catchy headlines/texts like “How to Eliminate Chronic Pain Forever”. You can do this by clicking Text button from toolbar located across top portion of screen (beside Transitions button).

Adding a phrase or a short sentence is called “headline”. It would be nice to add one of them at your video, so that viewers can get an idea about what it’s about before watching it in full. The text can be customized by using different font styles like bold, italic, underline etc., as well as its size and color.

Input Subtitle

Subtitles are used to translate the spoken word into text. If you have a video that is in a language other than English, subtitles can be added so that viewers who do not speak the language can still understand what is being said. Subtitles are also useful if you want to add subtitles for educational purposes, such as teaching students how to pronounce certain words and phrases.

Apply Transitions to Your Testimonial Video

You can add fade-in transitions to clips, as well as fade-out transitions.

To add a fade-in transition: Click on the first clip and select “Effects.” Then, click “Transition.” Choose a transition from the category of “Fades” and then apply it to the first clip by clicking on its thumbnail image.

To add a fade-out transition: Click on the second clip and select “Effects.” Then, click “Transition.” Choose a transition from the category of “Fades” and then apply it to the second clip by clicking on its thumbnail image.

Feel free also to use other transitions as you want, but be careful not to use an overly extreme one.

Add Background Music to Testimonial Video

You may choose from a wide range of music in the audio library. It’s available both online and offline.

You can also easily add background music from your computer by going to the “Media” menu and then selecting the import option. Make sure to use a non-copyright music so that you don’t run into any copyright problems when you post your video. There are several no copyright tracks on Youtube; simply search for no copyright background music or get it from other sites that provide a free-royalty background music.

Add a Logo/Watermark

To add a logo or watermark to your video, follow these steps:

• Import your Business Logo to the Media Folder.
• Then drag it into the Show Track area.
• Resize it to the ideal dimensions, then position it in the correct location in your video. It’s preferable to place it at the top or button section of the video.

You may also add your company’s logo at the end of the video as a fade-out transition.

By adding a logo or watermark to your video, you can make it harder for people to illegally distribute and share your video without permission. It helps also to promote your brand or business. When viewers see your logo or watermark throughout the video, they will be more likely to remember who made the video and where they can find more information about your company or products.

Insert Thumbnail

A video thumbnail is an image that represents your video to viewers. It should be eye-catching, but not so much that it’s distracting. The right video thumbnail can help you increase views and engagement on your content.

Place the thumbnail at the beginning of the video, and make sure it’s catchy! Your viewers won’t have time to look at it in detail, but they will glance at it in passing. Make sure to include relevant text and images that can hook your audience and keep them watching!

After completing the editing process, you can export your testimonial video in a variety of formats. To do this, click on the “Export” button in the upper right-hand corner of Wondershare Filmora.

Recommended Export Quality

• Resolution: 720 or 1080
• Frame rate 30 fps

Select your preferred file format and destination for storage.

Conclusion

That’s all for today! With this tutorial, you can edit testimonial videos for the health and wellness business industry on your own and make them look more professional, engaging, and converting.

Hopefully, this post gave you an idea of how to use Filmora as an easy-to-use video editing software that can help you create awesome videos with just a few clicks. Thanks for reading!

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

How to Color Grade Your Picture in LightRoom

Create High-Quality Video - Wondershare Filmora

An easy and powerful YouTube video editor

Numerous video and audio effects to choose from

Detailed tutorials are provided by the official channel

Try It Free Try It Free

Every budding photographer knows what Photoshop is Adobe Lightroom (officially Adobe Photoshop Lightroom) is the newer and more advanced version of Photoshop. Compared with other alternatives of Lightroom , Lightroom helps photographers import, modify, manipulate, find, organize, and manage their images as an image editing software. Lightroom combines photo management and photo editing in one.

One of the most amazing things about Lightroom is its autosave or nondestructive feature. Once you edit your photos, Lightroom instantly saves and stores them in your Lightroom catalog. With its inbuilt-presets, Lightroom makes working on your project so much easy and fun.

You can leverage Lightroom’s unique features to perform different types of tasks. However, in this article, you’ll learn color grading in Lightroom and how to make it work.

In this article

01 What Is Color Grading?

02 Color Grading in LightRoom

03 How To Color Grade Your Picture in LightRoom

What Is Color Grading?

Color grading is one of the essential processes for creating the perfect video and image content. Like with color correction, color grading helps enhance the appearance of your image or video and makes it appealing to viewers. However, unlike color correction, it focuses on creating stylistic or cinematic effects rather than rectifying mistakes in the image.

Color grading enhances an already edited or otherwise perfect image or video. So, in color grading, you are not trying to balance out colors or make your pictures look natural to the human eyes. Color correction does all that. Instead, with color grading, you aim to “paint over” a color-corrected content to evoke specific emotions or moods in the viewers.

Colors carry different emotions or visual tones. So, they’re essential in the post-production process to manipulate viewers into specific moods that tell your story best. In other words, color grading aligns your viewer’s emotions to the central theme in your story.

For example, if your image or video’s theme is passion, power, violence, or danger, red portrays them perfectly. Meanwhile, blue does it when you wish to evoke calmness and melancholy in your viewers.

Other examples include:

• pink for beauty, innocence, and femininity,
• Green for nature, darkness, and corruption
• Purple for fantasies, and the mystical
• Yellow for obsession, sickness, and naivety
• Orange for warmth, friendliness, youth, and happiness

Have you noticed that turning your pictures black and white makes them look timeless? That’s color grading in action.

Color Grading in LightRoom

Are you amazed by the thrilling power of color grading to manipulate viewers’ emotions? Are you wondering how you can achieve that effect seamlessly? Then, you don’t need to worry about it. With Adobe Photoshop Lightroom, you too can make magic.

Since Lightroom is an advanced photo editor, it has a lot to offer in features. Unfortunately, this may also mean that it can be complex to understand, especially if you’re new to photo editing. So, first things first, you must understand the color grading panel in Lightroom to appreciate it better.

Lightroom’s color grading panel is right beneath the HSL panel in the Develop Panel. It serves as a replacement for the Split Toning Panel from earlier versions, so it’s pretty easy to find.

The color grading panel comprises five small icons, three color wheels, and a blending/balance slider:

● The Five Small Icons

Lightroom’s small icons are a 3-way default layout, shadows, mid-tones, highlights, and global. With 3-way, you can manipulate the highlights, shadows, and mid-tones. Mid-tones, highlights, and shadows hide all color wheels, excluding the necessary ones that adjust them.

Meanwhile, Global combines and blends the highlights, mid-tones, and shadow adjustments no matter the luminosity. Global ensures that the color wheels work harmoniously.

When adjusting icons, it’s best to use each color wheel one after another one. You’ll get better and more precise outcomes that way compared to using them together.

● Lightroom’s Color Wheels

You can view Lightroom’s three-color wheels through the 3-way default layout. The color wheels help to enhance distinct image parts by providing various color hues. It also allows you to introduce saturation through an adjustable knob.

Each lightroom’s color wheels feature a luminance slide beneath them that adjusts color brightness. Between the luminance slide and the wheel is a visible eye icon that you can use to turn the effects on or off.

● The Blending and Balance Slider

The blending and balance sliders offer you advanced control over how your colors look after introducing them. With the blending slider, you can control the color distinctiveness between highlights and shadows. In other words, this feature helps to merge colors to produce a much more balanced and beautiful result.

The balance slider adjusts altered mid-tones, highlights, and shadows to balance the effects. By default, the slider is set at 0 in the middle and allows you to move it in opposite directions for distinct effects. For example, you can use this tool to balance shadows with over-concentrated colors.

While the above features are visible to everyone in the 3-way view, there are two more hidden sliders. You may only view them when editing highlights, shadows, mid-tones, or the global color wheels. They’re the hue and saturation sliders that you can only uncover by clicking on the arrow below the eye icon.

There’s no idea why the hue and saturation sliders aren’t visible in the 3-way view. That’s especially when you discover that they do the all-important job of making minor but precise changes to final adjustments. This produces an excellent fine-tuned outcome and gives your image a professional finish.

How To Color Grade Your Picture in LightRoom

If you wish to use the color grading Lightroom tool to enhance photos, here’s a comprehensive guide for you. You’ll learn the best practices to apply when using the specific Lightroom features to produce your desired effects:

● Pick Your Color Scheme

What’s color grading without the right colors? Choosing an appropriate color scheme is one of the essential steps in Lightroom color grading. That’s because it sets the tone for the next steps. If you choose the wrong colors, you won’t get the excellent result you desire no matter how hard you try.

First, take a good look at your picture and its visible colors. Then think of the colors that compliment or contrast with them. For example, you should base images with red highlights around red. You can also try colors close to red in the color wheel, like orange.

Once you’ve found the colors that suit your image, you’re ready for the next steps in your color grading process. However, more than just adding colors, you must also pay attention to contrasting colors during processing. If you find such unwanted colors, use the HSL panel to pale them out.

● Prioritize Precision

In earlier paragraphs, you learned that working with the highlights, shadows, and mid-tones individually is best. That’s because individual adjustments are a painstaking process that guarantees the most accurate results. This makes a lot of difference in the final product compared to when you work with the wheel.

Working on the shadows, highlights, and mid-tones individually also connects to the hue and saturation sliders. So you remember how vital these hidden sliders are? You wouldn’t be able to access them by working on the tools one after another. Take that as your reward for being detail-oriented.

● Increase Saturation Values

Sometimes, the effect of one tool tells on another. For example, leaving your saturation values below may render your hue slider ineffective. To avoid that confusion, it’s best to increase your saturation levels to some values higher than your preferred one.

Yes, it wouldn’t look nice initially as you adjust the hue. However, it will ensure that you get the perfect color for your image. You can always go back to adjust the saturation to your choice values later on.

● Use Color Wheels To Find Color, Use Shadows to Refine

When discussing how to choose your color scheme, you must have understood how vital the color wheel is in finding harmonious hues. However, picking your preferred color isn’t the complete process. You must learn to fine-tune your chosen color by using the hue slider. Do this after adjusting the saturation to your preferred level as in the previous step. The result is always mind-blowing.

● Learn the Short Cuts

There are some shortcuts to learn when color grading in Lightroom to enhance accuracy and convenience. For example, option (Mac)/Alt (Windows) gives you better control over your image’s outcomes. Option/Alt + Up will increase saturation by one while the shift key adjusts it. You can use Command (Mac)/Ctrl (Windows) to adjust the hue. Also, the reset button on the right side of your panel takes you back to your initial image.

● Extra Tips

These best practices will help you to achieve excellent results:

1. Don’t color grade without understanding the psychology of colors. Know what colors convey different moods or emotions.
2. Be sure to work with high-quality pictures. Color grading isn’t magic; it wouldn’t correct an already lousy image.
3. Shooting your pictures in RAW gives you more color control.

Conclusion

● Now that you’ve learned how to color grade using Lightroom, there’s no limit to what you can achieve. You can now explore your creative side with so much fun. However, know that you will likely not get it right the first time. Perfection comes with consistent practice or trial and error.

Try It Free Try It Free

Every budding photographer knows what Photoshop is Adobe Lightroom (officially Adobe Photoshop Lightroom) is the newer and more advanced version of Photoshop. Compared with other alternatives of Lightroom , Lightroom helps photographers import, modify, manipulate, find, organize, and manage their images as an image editing software. Lightroom combines photo management and photo editing in one.

One of the most amazing things about Lightroom is its autosave or nondestructive feature. Once you edit your photos, Lightroom instantly saves and stores them in your Lightroom catalog. With its inbuilt-presets, Lightroom makes working on your project so much easy and fun.

You can leverage Lightroom’s unique features to perform different types of tasks. However, in this article, you’ll learn color grading in Lightroom and how to make it work.

In this article

01 What Is Color Grading?

02 Color Grading in LightRoom

03 How To Color Grade Your Picture in LightRoom

What Is Color Grading?

Color grading is one of the essential processes for creating the perfect video and image content. Like with color correction, color grading helps enhance the appearance of your image or video and makes it appealing to viewers. However, unlike color correction, it focuses on creating stylistic or cinematic effects rather than rectifying mistakes in the image.

Color grading enhances an already edited or otherwise perfect image or video. So, in color grading, you are not trying to balance out colors or make your pictures look natural to the human eyes. Color correction does all that. Instead, with color grading, you aim to “paint over” a color-corrected content to evoke specific emotions or moods in the viewers.

Colors carry different emotions or visual tones. So, they’re essential in the post-production process to manipulate viewers into specific moods that tell your story best. In other words, color grading aligns your viewer’s emotions to the central theme in your story.

For example, if your image or video’s theme is passion, power, violence, or danger, red portrays them perfectly. Meanwhile, blue does it when you wish to evoke calmness and melancholy in your viewers.

Other examples include:

• pink for beauty, innocence, and femininity,
• Green for nature, darkness, and corruption
• Purple for fantasies, and the mystical
• Yellow for obsession, sickness, and naivety
• Orange for warmth, friendliness, youth, and happiness

Have you noticed that turning your pictures black and white makes them look timeless? That’s color grading in action.

Color Grading in LightRoom

Are you amazed by the thrilling power of color grading to manipulate viewers’ emotions? Are you wondering how you can achieve that effect seamlessly? Then, you don’t need to worry about it. With Adobe Photoshop Lightroom, you too can make magic.

Since Lightroom is an advanced photo editor, it has a lot to offer in features. Unfortunately, this may also mean that it can be complex to understand, especially if you’re new to photo editing. So, first things first, you must understand the color grading panel in Lightroom to appreciate it better.

Lightroom’s color grading panel is right beneath the HSL panel in the Develop Panel. It serves as a replacement for the Split Toning Panel from earlier versions, so it’s pretty easy to find.

The color grading panel comprises five small icons, three color wheels, and a blending/balance slider:

● The Five Small Icons

Lightroom’s small icons are a 3-way default layout, shadows, mid-tones, highlights, and global. With 3-way, you can manipulate the highlights, shadows, and mid-tones. Mid-tones, highlights, and shadows hide all color wheels, excluding the necessary ones that adjust them.

Meanwhile, Global combines and blends the highlights, mid-tones, and shadow adjustments no matter the luminosity. Global ensures that the color wheels work harmoniously.

When adjusting icons, it’s best to use each color wheel one after another one. You’ll get better and more precise outcomes that way compared to using them together.

● Lightroom’s Color Wheels

You can view Lightroom’s three-color wheels through the 3-way default layout. The color wheels help to enhance distinct image parts by providing various color hues. It also allows you to introduce saturation through an adjustable knob.

Each lightroom’s color wheels feature a luminance slide beneath them that adjusts color brightness. Between the luminance slide and the wheel is a visible eye icon that you can use to turn the effects on or off.

● The Blending and Balance Slider

The blending and balance sliders offer you advanced control over how your colors look after introducing them. With the blending slider, you can control the color distinctiveness between highlights and shadows. In other words, this feature helps to merge colors to produce a much more balanced and beautiful result.

The balance slider adjusts altered mid-tones, highlights, and shadows to balance the effects. By default, the slider is set at 0 in the middle and allows you to move it in opposite directions for distinct effects. For example, you can use this tool to balance shadows with over-concentrated colors.

While the above features are visible to everyone in the 3-way view, there are two more hidden sliders. You may only view them when editing highlights, shadows, mid-tones, or the global color wheels. They’re the hue and saturation sliders that you can only uncover by clicking on the arrow below the eye icon.

There’s no idea why the hue and saturation sliders aren’t visible in the 3-way view. That’s especially when you discover that they do the all-important job of making minor but precise changes to final adjustments. This produces an excellent fine-tuned outcome and gives your image a professional finish.

How To Color Grade Your Picture in LightRoom

If you wish to use the color grading Lightroom tool to enhance photos, here’s a comprehensive guide for you. You’ll learn the best practices to apply when using the specific Lightroom features to produce your desired effects:

● Pick Your Color Scheme

What’s color grading without the right colors? Choosing an appropriate color scheme is one of the essential steps in Lightroom color grading. That’s because it sets the tone for the next steps. If you choose the wrong colors, you won’t get the excellent result you desire no matter how hard you try.

First, take a good look at your picture and its visible colors. Then think of the colors that compliment or contrast with them. For example, you should base images with red highlights around red. You can also try colors close to red in the color wheel, like orange.

Once you’ve found the colors that suit your image, you’re ready for the next steps in your color grading process. However, more than just adding colors, you must also pay attention to contrasting colors during processing. If you find such unwanted colors, use the HSL panel to pale them out.

● Prioritize Precision

In earlier paragraphs, you learned that working with the highlights, shadows, and mid-tones individually is best. That’s because individual adjustments are a painstaking process that guarantees the most accurate results. This makes a lot of difference in the final product compared to when you work with the wheel.

Working on the shadows, highlights, and mid-tones individually also connects to the hue and saturation sliders. So you remember how vital these hidden sliders are? You wouldn’t be able to access them by working on the tools one after another. Take that as your reward for being detail-oriented.

● Increase Saturation Values

Sometimes, the effect of one tool tells on another. For example, leaving your saturation values below may render your hue slider ineffective. To avoid that confusion, it’s best to increase your saturation levels to some values higher than your preferred one.

Yes, it wouldn’t look nice initially as you adjust the hue. However, it will ensure that you get the perfect color for your image. You can always go back to adjust the saturation to your choice values later on.

● Use Color Wheels To Find Color, Use Shadows to Refine

When discussing how to choose your color scheme, you must have understood how vital the color wheel is in finding harmonious hues. However, picking your preferred color isn’t the complete process. You must learn to fine-tune your chosen color by using the hue slider. Do this after adjusting the saturation to your preferred level as in the previous step. The result is always mind-blowing.

● Learn the Short Cuts

There are some shortcuts to learn when color grading in Lightroom to enhance accuracy and convenience. For example, option (Mac)/Alt (Windows) gives you better control over your image’s outcomes. Option/Alt + Up will increase saturation by one while the shift key adjusts it. You can use Command (Mac)/Ctrl (Windows) to adjust the hue. Also, the reset button on the right side of your panel takes you back to your initial image.

● Extra Tips

These best practices will help you to achieve excellent results:

1. Don’t color grade without understanding the psychology of colors. Know what colors convey different moods or emotions.
2. Be sure to work with high-quality pictures. Color grading isn’t magic; it wouldn’t correct an already lousy image.
3. Shooting your pictures in RAW gives you more color control.

Conclusion

● Now that you’ve learned how to color grade using Lightroom, there’s no limit to what you can achieve. You can now explore your creative side with so much fun. However, know that you will likely not get it right the first time. Perfection comes with consistent practice or trial and error.

Try It Free Try It Free

Every budding photographer knows what Photoshop is Adobe Lightroom (officially Adobe Photoshop Lightroom) is the newer and more advanced version of Photoshop. Compared with other alternatives of Lightroom , Lightroom helps photographers import, modify, manipulate, find, organize, and manage their images as an image editing software. Lightroom combines photo management and photo editing in one.

One of the most amazing things about Lightroom is its autosave or nondestructive feature. Once you edit your photos, Lightroom instantly saves and stores them in your Lightroom catalog. With its inbuilt-presets, Lightroom makes working on your project so much easy and fun.

You can leverage Lightroom’s unique features to perform different types of tasks. However, in this article, you’ll learn color grading in Lightroom and how to make it work.

In this article

01 What Is Color Grading?

02 Color Grading in LightRoom

03 How To Color Grade Your Picture in LightRoom

What Is Color Grading?

Color grading is one of the essential processes for creating the perfect video and image content. Like with color correction, color grading helps enhance the appearance of your image or video and makes it appealing to viewers. However, unlike color correction, it focuses on creating stylistic or cinematic effects rather than rectifying mistakes in the image.

Color grading enhances an already edited or otherwise perfect image or video. So, in color grading, you are not trying to balance out colors or make your pictures look natural to the human eyes. Color correction does all that. Instead, with color grading, you aim to “paint over” a color-corrected content to evoke specific emotions or moods in the viewers.

Colors carry different emotions or visual tones. So, they’re essential in the post-production process to manipulate viewers into specific moods that tell your story best. In other words, color grading aligns your viewer’s emotions to the central theme in your story.

For example, if your image or video’s theme is passion, power, violence, or danger, red portrays them perfectly. Meanwhile, blue does it when you wish to evoke calmness and melancholy in your viewers.

Other examples include:

• pink for beauty, innocence, and femininity,
• Green for nature, darkness, and corruption
• Purple for fantasies, and the mystical
• Yellow for obsession, sickness, and naivety
• Orange for warmth, friendliness, youth, and happiness

Have you noticed that turning your pictures black and white makes them look timeless? That’s color grading in action.

Color Grading in LightRoom

Are you amazed by the thrilling power of color grading to manipulate viewers’ emotions? Are you wondering how you can achieve that effect seamlessly? Then, you don’t need to worry about it. With Adobe Photoshop Lightroom, you too can make magic.

Since Lightroom is an advanced photo editor, it has a lot to offer in features. Unfortunately, this may also mean that it can be complex to understand, especially if you’re new to photo editing. So, first things first, you must understand the color grading panel in Lightroom to appreciate it better.

Lightroom’s color grading panel is right beneath the HSL panel in the Develop Panel. It serves as a replacement for the Split Toning Panel from earlier versions, so it’s pretty easy to find.

The color grading panel comprises five small icons, three color wheels, and a blending/balance slider:

● The Five Small Icons

Lightroom’s small icons are a 3-way default layout, shadows, mid-tones, highlights, and global. With 3-way, you can manipulate the highlights, shadows, and mid-tones. Mid-tones, highlights, and shadows hide all color wheels, excluding the necessary ones that adjust them.

Meanwhile, Global combines and blends the highlights, mid-tones, and shadow adjustments no matter the luminosity. Global ensures that the color wheels work harmoniously.

When adjusting icons, it’s best to use each color wheel one after another one. You’ll get better and more precise outcomes that way compared to using them together.

● Lightroom’s Color Wheels

You can view Lightroom’s three-color wheels through the 3-way default layout. The color wheels help to enhance distinct image parts by providing various color hues. It also allows you to introduce saturation through an adjustable knob.

Each lightroom’s color wheels feature a luminance slide beneath them that adjusts color brightness. Between the luminance slide and the wheel is a visible eye icon that you can use to turn the effects on or off.

● The Blending and Balance Slider

The blending and balance sliders offer you advanced control over how your colors look after introducing them. With the blending slider, you can control the color distinctiveness between highlights and shadows. In other words, this feature helps to merge colors to produce a much more balanced and beautiful result.

The balance slider adjusts altered mid-tones, highlights, and shadows to balance the effects. By default, the slider is set at 0 in the middle and allows you to move it in opposite directions for distinct effects. For example, you can use this tool to balance shadows with over-concentrated colors.

While the above features are visible to everyone in the 3-way view, there are two more hidden sliders. You may only view them when editing highlights, shadows, mid-tones, or the global color wheels. They’re the hue and saturation sliders that you can only uncover by clicking on the arrow below the eye icon.

There’s no idea why the hue and saturation sliders aren’t visible in the 3-way view. That’s especially when you discover that they do the all-important job of making minor but precise changes to final adjustments. This produces an excellent fine-tuned outcome and gives your image a professional finish.

How To Color Grade Your Picture in LightRoom

If you wish to use the color grading Lightroom tool to enhance photos, here’s a comprehensive guide for you. You’ll learn the best practices to apply when using the specific Lightroom features to produce your desired effects:

● Pick Your Color Scheme

What’s color grading without the right colors? Choosing an appropriate color scheme is one of the essential steps in Lightroom color grading. That’s because it sets the tone for the next steps. If you choose the wrong colors, you won’t get the excellent result you desire no matter how hard you try.

First, take a good look at your picture and its visible colors. Then think of the colors that compliment or contrast with them. For example, you should base images with red highlights around red. You can also try colors close to red in the color wheel, like orange.

Once you’ve found the colors that suit your image, you’re ready for the next steps in your color grading process. However, more than just adding colors, you must also pay attention to contrasting colors during processing. If you find such unwanted colors, use the HSL panel to pale them out.

● Prioritize Precision

In earlier paragraphs, you learned that working with the highlights, shadows, and mid-tones individually is best. That’s because individual adjustments are a painstaking process that guarantees the most accurate results. This makes a lot of difference in the final product compared to when you work with the wheel.

Working on the shadows, highlights, and mid-tones individually also connects to the hue and saturation sliders. So you remember how vital these hidden sliders are? You wouldn’t be able to access them by working on the tools one after another. Take that as your reward for being detail-oriented.

● Increase Saturation Values

Sometimes, the effect of one tool tells on another. For example, leaving your saturation values below may render your hue slider ineffective. To avoid that confusion, it’s best to increase your saturation levels to some values higher than your preferred one.

Yes, it wouldn’t look nice initially as you adjust the hue. However, it will ensure that you get the perfect color for your image. You can always go back to adjust the saturation to your choice values later on.

● Use Color Wheels To Find Color, Use Shadows to Refine

When discussing how to choose your color scheme, you must have understood how vital the color wheel is in finding harmonious hues. However, picking your preferred color isn’t the complete process. You must learn to fine-tune your chosen color by using the hue slider. Do this after adjusting the saturation to your preferred level as in the previous step. The result is always mind-blowing.

● Learn the Short Cuts

There are some shortcuts to learn when color grading in Lightroom to enhance accuracy and convenience. For example, option (Mac)/Alt (Windows) gives you better control over your image’s outcomes. Option/Alt + Up will increase saturation by one while the shift key adjusts it. You can use Command (Mac)/Ctrl (Windows) to adjust the hue. Also, the reset button on the right side of your panel takes you back to your initial image.

● Extra Tips

These best practices will help you to achieve excellent results:

1. Don’t color grade without understanding the psychology of colors. Know what colors convey different moods or emotions.
2. Be sure to work with high-quality pictures. Color grading isn’t magic; it wouldn’t correct an already lousy image.
3. Shooting your pictures in RAW gives you more color control.

Conclusion

● Now that you’ve learned how to color grade using Lightroom, there’s no limit to what you can achieve. You can now explore your creative side with so much fun. However, know that you will likely not get it right the first time. Perfection comes with consistent practice or trial and error.

Try It Free Try It Free

Every budding photographer knows what Photoshop is Adobe Lightroom (officially Adobe Photoshop Lightroom) is the newer and more advanced version of Photoshop. Compared with other alternatives of Lightroom , Lightroom helps photographers import, modify, manipulate, find, organize, and manage their images as an image editing software. Lightroom combines photo management and photo editing in one.

One of the most amazing things about Lightroom is its autosave or nondestructive feature. Once you edit your photos, Lightroom instantly saves and stores them in your Lightroom catalog. With its inbuilt-presets, Lightroom makes working on your project so much easy and fun.

You can leverage Lightroom’s unique features to perform different types of tasks. However, in this article, you’ll learn color grading in Lightroom and how to make it work.

In this article

01 What Is Color Grading?

02 Color Grading in LightRoom

03 How To Color Grade Your Picture in LightRoom

What Is Color Grading?

Color grading is one of the essential processes for creating the perfect video and image content. Like with color correction, color grading helps enhance the appearance of your image or video and makes it appealing to viewers. However, unlike color correction, it focuses on creating stylistic or cinematic effects rather than rectifying mistakes in the image.

Color grading enhances an already edited or otherwise perfect image or video. So, in color grading, you are not trying to balance out colors or make your pictures look natural to the human eyes. Color correction does all that. Instead, with color grading, you aim to “paint over” a color-corrected content to evoke specific emotions or moods in the viewers.

Colors carry different emotions or visual tones. So, they’re essential in the post-production process to manipulate viewers into specific moods that tell your story best. In other words, color grading aligns your viewer’s emotions to the central theme in your story.

For example, if your image or video’s theme is passion, power, violence, or danger, red portrays them perfectly. Meanwhile, blue does it when you wish to evoke calmness and melancholy in your viewers.

Other examples include:

• pink for beauty, innocence, and femininity,
• Green for nature, darkness, and corruption
• Purple for fantasies, and the mystical
• Yellow for obsession, sickness, and naivety
• Orange for warmth, friendliness, youth, and happiness

Have you noticed that turning your pictures black and white makes them look timeless? That’s color grading in action.

Color Grading in LightRoom

Are you amazed by the thrilling power of color grading to manipulate viewers’ emotions? Are you wondering how you can achieve that effect seamlessly? Then, you don’t need to worry about it. With Adobe Photoshop Lightroom, you too can make magic.

Since Lightroom is an advanced photo editor, it has a lot to offer in features. Unfortunately, this may also mean that it can be complex to understand, especially if you’re new to photo editing. So, first things first, you must understand the color grading panel in Lightroom to appreciate it better.

Lightroom’s color grading panel is right beneath the HSL panel in the Develop Panel. It serves as a replacement for the Split Toning Panel from earlier versions, so it’s pretty easy to find.

The color grading panel comprises five small icons, three color wheels, and a blending/balance slider:

● The Five Small Icons

Lightroom’s small icons are a 3-way default layout, shadows, mid-tones, highlights, and global. With 3-way, you can manipulate the highlights, shadows, and mid-tones. Mid-tones, highlights, and shadows hide all color wheels, excluding the necessary ones that adjust them.

Meanwhile, Global combines and blends the highlights, mid-tones, and shadow adjustments no matter the luminosity. Global ensures that the color wheels work harmoniously.

When adjusting icons, it’s best to use each color wheel one after another one. You’ll get better and more precise outcomes that way compared to using them together.

● Lightroom’s Color Wheels

You can view Lightroom’s three-color wheels through the 3-way default layout. The color wheels help to enhance distinct image parts by providing various color hues. It also allows you to introduce saturation through an adjustable knob.

Each lightroom’s color wheels feature a luminance slide beneath them that adjusts color brightness. Between the luminance slide and the wheel is a visible eye icon that you can use to turn the effects on or off.

● The Blending and Balance Slider

The blending and balance sliders offer you advanced control over how your colors look after introducing them. With the blending slider, you can control the color distinctiveness between highlights and shadows. In other words, this feature helps to merge colors to produce a much more balanced and beautiful result.

The balance slider adjusts altered mid-tones, highlights, and shadows to balance the effects. By default, the slider is set at 0 in the middle and allows you to move it in opposite directions for distinct effects. For example, you can use this tool to balance shadows with over-concentrated colors.

While the above features are visible to everyone in the 3-way view, there are two more hidden sliders. You may only view them when editing highlights, shadows, mid-tones, or the global color wheels. They’re the hue and saturation sliders that you can only uncover by clicking on the arrow below the eye icon.

There’s no idea why the hue and saturation sliders aren’t visible in the 3-way view. That’s especially when you discover that they do the all-important job of making minor but precise changes to final adjustments. This produces an excellent fine-tuned outcome and gives your image a professional finish.

How To Color Grade Your Picture in LightRoom

If you wish to use the color grading Lightroom tool to enhance photos, here’s a comprehensive guide for you. You’ll learn the best practices to apply when using the specific Lightroom features to produce your desired effects:

● Pick Your Color Scheme

What’s color grading without the right colors? Choosing an appropriate color scheme is one of the essential steps in Lightroom color grading. That’s because it sets the tone for the next steps. If you choose the wrong colors, you won’t get the excellent result you desire no matter how hard you try.

First, take a good look at your picture and its visible colors. Then think of the colors that compliment or contrast with them. For example, you should base images with red highlights around red. You can also try colors close to red in the color wheel, like orange.

Once you’ve found the colors that suit your image, you’re ready for the next steps in your color grading process. However, more than just adding colors, you must also pay attention to contrasting colors during processing. If you find such unwanted colors, use the HSL panel to pale them out.

● Prioritize Precision

In earlier paragraphs, you learned that working with the highlights, shadows, and mid-tones individually is best. That’s because individual adjustments are a painstaking process that guarantees the most accurate results. This makes a lot of difference in the final product compared to when you work with the wheel.

Working on the shadows, highlights, and mid-tones individually also connects to the hue and saturation sliders. So you remember how vital these hidden sliders are? You wouldn’t be able to access them by working on the tools one after another. Take that as your reward for being detail-oriented.

● Increase Saturation Values

Sometimes, the effect of one tool tells on another. For example, leaving your saturation values below may render your hue slider ineffective. To avoid that confusion, it’s best to increase your saturation levels to some values higher than your preferred one.

Yes, it wouldn’t look nice initially as you adjust the hue. However, it will ensure that you get the perfect color for your image. You can always go back to adjust the saturation to your choice values later on.

● Use Color Wheels To Find Color, Use Shadows to Refine

When discussing how to choose your color scheme, you must have understood how vital the color wheel is in finding harmonious hues. However, picking your preferred color isn’t the complete process. You must learn to fine-tune your chosen color by using the hue slider. Do this after adjusting the saturation to your preferred level as in the previous step. The result is always mind-blowing.

● Learn the Short Cuts

There are some shortcuts to learn when color grading in Lightroom to enhance accuracy and convenience. For example, option (Mac)/Alt (Windows) gives you better control over your image’s outcomes. Option/Alt + Up will increase saturation by one while the shift key adjusts it. You can use Command (Mac)/Ctrl (Windows) to adjust the hue. Also, the reset button on the right side of your panel takes you back to your initial image.

● Extra Tips

These best practices will help you to achieve excellent results:

1. Don’t color grade without understanding the psychology of colors. Know what colors convey different moods or emotions.
2. Be sure to work with high-quality pictures. Color grading isn’t magic; it wouldn’t correct an already lousy image.
3. Shooting your pictures in RAW gives you more color control.

Conclusion

● Now that you’ve learned how to color grade using Lightroom, there’s no limit to what you can achieve. You can now explore your creative side with so much fun. However, know that you will likely not get it right the first time. Perfection comes with consistent practice or trial and error.

Discover How You Can Use Vectorscope to Adjust Luminance, Color Grading, and More in Your Video Editing Projects

Our eyes process colors differently. When two people look at the same picture, they may see different shades of colors. In post-production, Vectorscopes help to color grade and make sure you get your images exactly right. This means that you will process the exact color that you want across devices. Premiere Vectorscope is a great choice for anyone looking to correct and grade colors. Using Vectorscope Premiere allows you to get quantitative data about your image for a more accurate assessment of colors within the film. In this article, we explore what comprises Premiere Pro Vectorscope and how to use them in video editing.

Color Correction Editor An easy-to-use video editor helps you make color correction and color grading experience for videos!

Free Download Use Vectorscope in Filmora Try Color Correction

Part 1. Vectorscope: What is It and How to Read

Vectorscopes provide a great post-production way for color correction. It is video scope that provides greater data about the color properties of an image. Another way to look at it is that a Vectorscope is a circular graph, which monitors the following information of an image. By looking at it, you can measure saturation outward from the center while hue is measured in a circular pattern.

The Vectorscope contains markings indicating the degree of saturation and hue in an image. The distance of the markings from the center indicates how saturated the color is in your image. In simple terms, the further the markings, the more saturated the color. The two main options of Vectorscope are HLS and YUV. The HLS displays the hue, lightness, saturation, and signal information at a glance. On the other hand, the YUV mode contains several color boxes, giving accurate levels of hue and saturation.

Vectorscopes are useful to filmmakers and editors to ensure greater conformity in a film as they transition from one shot to the next. When the camera captures an image with too much saturation, using a Vectorscope helps to reduce the said saturation. This makes Vectorscope a useful feature for color correction and color grading. Color correction involves altering the colors of an image within a film to provide consistency and tone for the film. On the other hand, color grading is more like a supercharged version of color correction. It refers to altering a film so that it matches a tone or theme. Since the two, grading and correction are important, more video editing will use a combination of both.

How to Read a Vectorscope

Learning how to read a Vectorscope will make your video editing fun and easier. The best way is to view the Vectorscope in relation to the color wheel. When using Premiere Vectorscope, the colors are nicely labeled for anyone to understand. You only need to understand the primary colors of saturation and hue to accurately read a Vectorscope.

The hue color is the direction to which the marketer points. For instance, a marker pointing toward the boxes labeled “R” indicates that the hue is predominantly red. On the other hand, the saturation correlates to the length of the marker. The image is more saturated when the marker is furthest from the center of the wheel.

Keep note of the two boxes in each main color. The box that is close to the center indicates 75%, and you will normally avoid the marker extending beyond this first box. Any marketer that extends beyond this is known as non-broadcast safe or illegal colors. Although you may need to go beyond the first box in some projects for stylistic reasons, the general rule of thumb is to avoid that.

Without proper calibration, your images may end up looking too red or too blue. They will not look natural at all and will affect the overall quality of your video. Therefore, using the features within the vectorsope will help you color-grade your images to perfection.

Part 2. Vectorscope in Premiere Pro : A Brief Guide

Just like many other video editing software, Adobe Premiere Pro offers Vectorscope to help in post-production. The best way to look at Vectorscope in Premiere Pro is to use the Color Correction workspace. Once you have launched the software, Click Window, followed by Workspace, and then Color Correction. Access the reference monitor directly to deliver the program.

The reference monitor will first display composite video. Clicking on the setting icon allows you to access the panel and choose the video scope you want to use. Now, this is how you use the Vectorscope in Premiere Pro:

1. Reading a Vectorscope on Premiere Pro

A Vectorscope is similar to a color wheel. It displays colors in the same places as the wheel, with cyan to the bottom right and red to the top left. When you see a dot or line in the Vectorscope, you can tell it is giving you information about the color or chrominance of a shot. Essentially, this information is the hue (specific color) and the saturation (the strength of that hue).

As you examine the Vectorscope, you get to see how strong a particular color is by the length of the line from the center of the wheel. A longer line indicates that the color is more saturated. However, all Vectorscopes have small color targets. The Vectorscope points are lined with a drop-down used to read the scope. The default is set to 75%, which is a good limit for a typical broadcast system.

2. Adjusting Skin Tones

A commonly used feature of the Premier Pro Vectorscope is the Skin Tone Line. With this feature, you get the line on the scope between the Yellow and the Red sections at about 10.30 or 11 o’clock position.

The Vectorscope skin tone line represents the color of blood flowing through the skin. You can use this line to check the accuracy of skin tone color representation regardless of the ethnicity of the person you’re filming. In particular, video images are more accurate

The major problem is figuring out how to look at skin tones in a shot with many other colors. With the skin tons line in Premiere Pro, color correction becomes easy and quick. You only need to use a garbage matte, which is found under video effects then keying. Adjust the points so that they cover the skin of the person on the shot, then look at the Premiere Pro Vectorscope to see your end results.

Part 3. How to Use Vectorscope in Filmora : Step-by-Step Guide

The choice of video editing software can have an impact on how well you use your Vectorscopes. Wondershare Filmora is a great choice for anyone who wants to achieve great results with their videos. The versatile video editing software offers four types of video scopes, including the Vectorscope. This gives you more flexibility in video editing and achieving accurate results in color correction and grading. With the recent V13, you also get access to a range of AI features that make video editing quicker and easier.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Access Vectorscope on Filmora

Accessing Vectorscope in Filmora is straightforward. As part of the four available video scopes, Filmora has made it easy to use Vectorscope during video editing. Here is a step-by-step guide to follow:

Step 1Create a New Project on Filmora

Once you have downloaded and installed the Filmora software on your desktop, launch it and click Create a New Project.

Step 2Access Video Scopes

After starting a new project, head to the top right corner of the main interface. Click on the Video Scope button to launch the video scope bar on the preview screen.

Step 3Customize Video Scopes Layout Bar

Customizing the layout of the video scope bar allows you to have more freedom in using the feature. You have the option to choose from four layouts or expand the button to display the video scope’s name. The purpose of this step is to modify the display option of the video scopes, allowing you to have a clear view of what you are editing.

Step 4Manage the Vectorscope as Desired

On the preview screen, choose the Vectorscope option. This video scope allows you to define the skin tone indication for better color grading and correction.

Step 5Change Other Video Scopes

To achieve more accurate and better results, explore the other video scopes in the same window. View the color changes in your image through parade, histogram, and waveform video scopes. You can also change the color channels to view specific color changes across the video.

Conclusion

Vectorscopes are great for post-production color correction. Although lesser-known features to many people, they are widely used in video production. They ensure that the colors in your video are consistent across all clips or shots of your film. Since filming will often involve different shots and settings, we recommend using Wondershare Filmora for your video editing. It comes with an easy-to-use Vectorscope and other video scopes that help you achieve great results with color correction and grading.

Free Download Use Vectorscope in Filmora Try Color Correction

Part 1. Vectorscope: What is It and How to Read

Vectorscopes provide a great post-production way for color correction. It is video scope that provides greater data about the color properties of an image. Another way to look at it is that a Vectorscope is a circular graph, which monitors the following information of an image. By looking at it, you can measure saturation outward from the center while hue is measured in a circular pattern.

The Vectorscope contains markings indicating the degree of saturation and hue in an image. The distance of the markings from the center indicates how saturated the color is in your image. In simple terms, the further the markings, the more saturated the color. The two main options of Vectorscope are HLS and YUV. The HLS displays the hue, lightness, saturation, and signal information at a glance. On the other hand, the YUV mode contains several color boxes, giving accurate levels of hue and saturation.

Vectorscopes are useful to filmmakers and editors to ensure greater conformity in a film as they transition from one shot to the next. When the camera captures an image with too much saturation, using a Vectorscope helps to reduce the said saturation. This makes Vectorscope a useful feature for color correction and color grading. Color correction involves altering the colors of an image within a film to provide consistency and tone for the film. On the other hand, color grading is more like a supercharged version of color correction. It refers to altering a film so that it matches a tone or theme. Since the two, grading and correction are important, more video editing will use a combination of both.

How to Read a Vectorscope

Learning how to read a Vectorscope will make your video editing fun and easier. The best way is to view the Vectorscope in relation to the color wheel. When using Premiere Vectorscope, the colors are nicely labeled for anyone to understand. You only need to understand the primary colors of saturation and hue to accurately read a Vectorscope.

The hue color is the direction to which the marketer points. For instance, a marker pointing toward the boxes labeled “R” indicates that the hue is predominantly red. On the other hand, the saturation correlates to the length of the marker. The image is more saturated when the marker is furthest from the center of the wheel.

Keep note of the two boxes in each main color. The box that is close to the center indicates 75%, and you will normally avoid the marker extending beyond this first box. Any marketer that extends beyond this is known as non-broadcast safe or illegal colors. Although you may need to go beyond the first box in some projects for stylistic reasons, the general rule of thumb is to avoid that.

Without proper calibration, your images may end up looking too red or too blue. They will not look natural at all and will affect the overall quality of your video. Therefore, using the features within the vectorsope will help you color-grade your images to perfection.

Part 2. Vectorscope in Premiere Pro : A Brief Guide

Just like many other video editing software, Adobe Premiere Pro offers Vectorscope to help in post-production. The best way to look at Vectorscope in Premiere Pro is to use the Color Correction workspace. Once you have launched the software, Click Window, followed by Workspace, and then Color Correction. Access the reference monitor directly to deliver the program.

The reference monitor will first display composite video. Clicking on the setting icon allows you to access the panel and choose the video scope you want to use. Now, this is how you use the Vectorscope in Premiere Pro:

1. Reading a Vectorscope on Premiere Pro

A Vectorscope is similar to a color wheel. It displays colors in the same places as the wheel, with cyan to the bottom right and red to the top left. When you see a dot or line in the Vectorscope, you can tell it is giving you information about the color or chrominance of a shot. Essentially, this information is the hue (specific color) and the saturation (the strength of that hue).

As you examine the Vectorscope, you get to see how strong a particular color is by the length of the line from the center of the wheel. A longer line indicates that the color is more saturated. However, all Vectorscopes have small color targets. The Vectorscope points are lined with a drop-down used to read the scope. The default is set to 75%, which is a good limit for a typical broadcast system.

2. Adjusting Skin Tones

A commonly used feature of the Premier Pro Vectorscope is the Skin Tone Line. With this feature, you get the line on the scope between the Yellow and the Red sections at about 10.30 or 11 o’clock position.

The Vectorscope skin tone line represents the color of blood flowing through the skin. You can use this line to check the accuracy of skin tone color representation regardless of the ethnicity of the person you’re filming. In particular, video images are more accurate

The major problem is figuring out how to look at skin tones in a shot with many other colors. With the skin tons line in Premiere Pro, color correction becomes easy and quick. You only need to use a garbage matte, which is found under video effects then keying. Adjust the points so that they cover the skin of the person on the shot, then look at the Premiere Pro Vectorscope to see your end results.

Part 3. How to Use Vectorscope in Filmora : Step-by-Step Guide

The choice of video editing software can have an impact on how well you use your Vectorscopes. Wondershare Filmora is a great choice for anyone who wants to achieve great results with their videos. The versatile video editing software offers four types of video scopes, including the Vectorscope. This gives you more flexibility in video editing and achieving accurate results in color correction and grading. With the recent V13, you also get access to a range of AI features that make video editing quicker and easier.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

Access Vectorscope on Filmora

Accessing Vectorscope in Filmora is straightforward. As part of the four available video scopes, Filmora has made it easy to use Vectorscope during video editing. Here is a step-by-step guide to follow:

Step 1Create a New Project on Filmora

Once you have downloaded and installed the Filmora software on your desktop, launch it and click Create a New Project.

Step 2Access Video Scopes

After starting a new project, head to the top right corner of the main interface. Click on the Video Scope button to launch the video scope bar on the preview screen.

Step 3Customize Video Scopes Layout Bar

Customizing the layout of the video scope bar allows you to have more freedom in using the feature. You have the option to choose from four layouts or expand the button to display the video scope’s name. The purpose of this step is to modify the display option of the video scopes, allowing you to have a clear view of what you are editing.

Step 4Manage the Vectorscope as Desired

On the preview screen, choose the Vectorscope option. This video scope allows you to define the skin tone indication for better color grading and correction.

Step 5Change Other Video Scopes

To achieve more accurate and better results, explore the other video scopes in the same window. View the color changes in your image through parade, histogram, and waveform video scopes. You can also change the color channels to view specific color changes across the video.

Conclusion

Vectorscopes are great for post-production color correction. Although lesser-known features to many people, they are widely used in video production. They ensure that the colors in your video are consistent across all clips or shots of your film. Since filming will often involve different shots and settings, we recommend using Wondershare Filmora for your video editing. It comes with an easy-to-use Vectorscope and other video scopes that help you achieve great results with color correction and grading.

How to Make Strobe Light Text Effect?

In video editing, professionals put in different types of effects to create a unique feel to the visuals. In fact, there are different styles available that you can use in videos to create a specific feel in the viewers—case in point, strobe lights.

This technique involves a series of intense short flashes of light in sections of the clip that create a suspenseful or thrilling ambiance, amping up the horror feel in viewers and more. You might have seen many examples of this in horror movies, thrillers, suspense or action-filled movies, sci-fi films, etc. Similarly, adding the effect to the titles gives a cinematic feel to them.

As a film or video editor, are you interested in adding this effect to your own project as well? Luckily, you do not need significant technical know-how or invest in different types of high-grade equipment to manage it - Wondershare Filmora allows users to add the effect easily in the titles. Want to know how? Read ahead.

Launch the software first

Of course, before you can begin adding the effect to your video, you must have the software. The downloading process for Wondershare Filmora 11 is very straightforward as long as you have a Mac or Windows PC.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

First, visit the official website to download the software. The Download button at the top of the screen or the description box is available to click on. That will instantly allow the Filmora installer to download into your device.

Double-click on the installer from your notifications or browser downloads section, then click Install. Allow the prompt for permission approval when it comes up, and the installation process will begin. This would take a little bit of time, and you can tap on the Start Now button at the last window that opens.

Add the title

The editor will open automatically next. You have to tap on the Create New Project button to access the editing screen, tap on the Titles tab, and choose the Default Title. If you prefer another version, browse through the different title presets available as options and download the one you prefer.

Then, drag the title from this section and drop it into the editing timeline. Double-click on the title in the timeline to open the title editing window. Insert the text you want to add as the title in the text field and adjust the size, font, and other font modifications here.

Edit the title and click snapshots

Then, you should drag the title clip you added to the timeline to an upper section and click on the Media tab following that. Then, choose the Sample Color option from the listed menu and tap on the Black color choice. After doing so, drag it down to the timeline onto the track under the Default Title clip you added and moved up.

Consequently, click on the Snapshot icon at the right side of the toolbar just above the timeline. This will take a screenshot of the black color picture you added second.

Then you should double-click on the original Default Title you added and start editing your title text once more. This time, add the term you want to appear under your original title here. Adjust the font for it as something other than the original one. For example, if you put Motor Oil 1937 M54 as the first title font, set the second as Montserrat SemBold. Make more adjustments, if necessary, to the font. Then, retake a snapshot of it.

Insert the snapshots

Remove the two title clips you added to the timeline. You have to work with the Snapshots you took now.

It is possible that you will not see the Snapshots saved in your media folder. In this case, tap on the “Click here to insert media” section and go to the device library. It will open in the Wondershare Filmora folder; if not, search for it and access it.

In the folder, double-click on the Snapshot folder. Choose both of the Snapshots you saved right now from here and tap on Open to import them into Filmora.

Import additional music and background visuals

After you have imported the snapshots to Filmora, you have to tap on the Import File option again. Go to the folder where you saved specific files like Lens flare, background video, particles, and sound effect clips. If you have these previously saved in other folders, make sure to keep them all in one folder ahead of time and open that one here.

Choose all files and click on Open to add them to the Filmora software. Now starts the process of merging them all into one cohesive effect.

Drag the files into the timeline

The background video is the first file you will drag and drop to the timeline. For the best effect, choose a flashing light background video. Next, drag the first title you edited into Track 2, right above the first one. Make sure to adjust the length of the clip to match the background video length. Repeat the same for the second snapshot, adding it above the first snapshot in the timeline.

Edit the snapshots via Chroma Key and Composting

You must hide the second snapshot you added, i.e., the one in the 3rd Track on the timeline. After that, click on snapshot 1 and tap on the Chroma Key icon in the toolbar right above the timeline.

When the Chroma Key window opens, tap on the Select Color option and go to the “More…” option. Tap on the basic white color and click on OK.

Following it, move the slider for Edge Thickness to extend it and see the preview to know if you are satisfied with the amount. Then, click on the unhide icon for the second snapshot. Right-click on it and tap on the Composting option. Under the Blending Mode parameter, change the option to Screen. The title background will remove automatically.

Press OK.

Add the sound effect

Again, you must hide the second snapshot in the timeline with the same step as before. Then, drag the sound effect to the audio track timeline next. Tap on the Play button under the Preview to see how the effect looks with the sound. Cut out the extra second of the sound effect clip to align it with the ending section of all of the other clips.

Add the initial keyframes

Choose the first snapshot in the timeline, below the second snapshot, and above the background video clip. Then, double-click on it to open the editor window and choose the Animation tab this time instead of Image.

Add the keyframe here and change the value of the Scale parameter to 400 or something high like that. In the preview, you will see that most of the font in this title is out of frame. After this, click on Rotate and turn the font to 45 degrees.

Move your playhead on this snapshot clip in the timeline by at least 1 second. Then, add another keyframe in this location by tapping the Add button. Here, reset the Scale and Rotate parameters and press the OK button to end.

Add the lens flare and particle video

Next, go back to the media section where all the files you added are present and drag your lens flare clip to the timeline, right on the track above the last one you added. Drop it here and adjust the length of it to match others if it does not show that automatically.

Above it, drag and drop the Particles video from the media files you added previously onto the track above the lens flare one. Do the same to delete the spare part by moving the play head to that point, clicking on the scissor icon, and removing the extra part.

Then, double-click on this Particles video clip on the timeline and go to the Compositing section. Tap on the Blending Mode drop-down choice and choose the Screen option. Press OK. Next, repeat the same for the lens flare video and tap the OK button.

Now, play the preview again.

Adjust the second title, again

Remember how you clicked on the hide button for the second snapshot for title 2? Now, you have to click on the unhide icon beside it.

Move the play head to the 3-second mark from the beginning. If you need clarification on this, check if the lens flare effect is beginning to start below the first title at this point. Move your playhead to that point for the second snapshot.

Here, tap on the Split icon and remove the clip’s first half. Then, double-click on the second half and go to Animation. Press the Add button to insert a keyframe here and change the scale and position of the title at this point. Move it to the placement you want, right above the lens flare. Also, drag the slider for the Opacity parameter to zero at this point.

Subsequently, move the play head to the point when the lens flare effect stop, which is around 2 seconds more. At this point, you have to add another keyframe and change the Opacity to 100.

Play the preview of the whole thing to see how the effect looks in completion.

Conclusion

Indeed, the strobe light effect in the title of movies or videos of different lengths can effectively create a heart-stopping moment on the screen. Moreover, it can work to incite a feeling of anticipation in viewers, especially with the right music beat in the backdrop.

Using Filmora will allow you to add the cinematic effect quickly and efficiently with simple, quick steps. Follow the phases mentioned in this post while trying out different variations before settling on your final shot choice.

Free Download For macOS 10.14 or later

First, visit the official website to download the software. The Download button at the top of the screen or the description box is available to click on. That will instantly allow the Filmora installer to download into your device.

Double-click on the installer from your notifications or browser downloads section, then click Install. Allow the prompt for permission approval when it comes up, and the installation process will begin. This would take a little bit of time, and you can tap on the Start Now button at the last window that opens.

Add the title

The editor will open automatically next. You have to tap on the Create New Project button to access the editing screen, tap on the Titles tab, and choose the Default Title. If you prefer another version, browse through the different title presets available as options and download the one you prefer.

Then, drag the title from this section and drop it into the editing timeline. Double-click on the title in the timeline to open the title editing window. Insert the text you want to add as the title in the text field and adjust the size, font, and other font modifications here.

Edit the title and click snapshots

Then, you should drag the title clip you added to the timeline to an upper section and click on the Media tab following that. Then, choose the Sample Color option from the listed menu and tap on the Black color choice. After doing so, drag it down to the timeline onto the track under the Default Title clip you added and moved up.

Consequently, click on the Snapshot icon at the right side of the toolbar just above the timeline. This will take a screenshot of the black color picture you added second.

Then you should double-click on the original Default Title you added and start editing your title text once more. This time, add the term you want to appear under your original title here. Adjust the font for it as something other than the original one. For example, if you put Motor Oil 1937 M54 as the first title font, set the second as Montserrat SemBold. Make more adjustments, if necessary, to the font. Then, retake a snapshot of it.

Insert the snapshots

Remove the two title clips you added to the timeline. You have to work with the Snapshots you took now.

It is possible that you will not see the Snapshots saved in your media folder. In this case, tap on the “Click here to insert media” section and go to the device library. It will open in the Wondershare Filmora folder; if not, search for it and access it.

In the folder, double-click on the Snapshot folder. Choose both of the Snapshots you saved right now from here and tap on Open to import them into Filmora.

Import additional music and background visuals

After you have imported the snapshots to Filmora, you have to tap on the Import File option again. Go to the folder where you saved specific files like Lens flare, background video, particles, and sound effect clips. If you have these previously saved in other folders, make sure to keep them all in one folder ahead of time and open that one here.

Choose all files and click on Open to add them to the Filmora software. Now starts the process of merging them all into one cohesive effect.

Drag the files into the timeline

The background video is the first file you will drag and drop to the timeline. For the best effect, choose a flashing light background video. Next, drag the first title you edited into Track 2, right above the first one. Make sure to adjust the length of the clip to match the background video length. Repeat the same for the second snapshot, adding it above the first snapshot in the timeline.

Edit the snapshots via Chroma Key and Composting

You must hide the second snapshot you added, i.e., the one in the 3rd Track on the timeline. After that, click on snapshot 1 and tap on the Chroma Key icon in the toolbar right above the timeline.

When the Chroma Key window opens, tap on the Select Color option and go to the “More…” option. Tap on the basic white color and click on OK.

Following it, move the slider for Edge Thickness to extend it and see the preview to know if you are satisfied with the amount. Then, click on the unhide icon for the second snapshot. Right-click on it and tap on the Composting option. Under the Blending Mode parameter, change the option to Screen. The title background will remove automatically.

Press OK.

Add the sound effect

Again, you must hide the second snapshot in the timeline with the same step as before. Then, drag the sound effect to the audio track timeline next. Tap on the Play button under the Preview to see how the effect looks with the sound. Cut out the extra second of the sound effect clip to align it with the ending section of all of the other clips.

Add the initial keyframes

Choose the first snapshot in the timeline, below the second snapshot, and above the background video clip. Then, double-click on it to open the editor window and choose the Animation tab this time instead of Image.

Add the keyframe here and change the value of the Scale parameter to 400 or something high like that. In the preview, you will see that most of the font in this title is out of frame. After this, click on Rotate and turn the font to 45 degrees.

Move your playhead on this snapshot clip in the timeline by at least 1 second. Then, add another keyframe in this location by tapping the Add button. Here, reset the Scale and Rotate parameters and press the OK button to end.

Add the lens flare and particle video

Next, go back to the media section where all the files you added are present and drag your lens flare clip to the timeline, right on the track above the last one you added. Drop it here and adjust the length of it to match others if it does not show that automatically.

Above it, drag and drop the Particles video from the media files you added previously onto the track above the lens flare one. Do the same to delete the spare part by moving the play head to that point, clicking on the scissor icon, and removing the extra part.

Then, double-click on this Particles video clip on the timeline and go to the Compositing section. Tap on the Blending Mode drop-down choice and choose the Screen option. Press OK. Next, repeat the same for the lens flare video and tap the OK button.

Now, play the preview again.

Adjust the second title, again

Remember how you clicked on the hide button for the second snapshot for title 2? Now, you have to click on the unhide icon beside it.

Move the play head to the 3-second mark from the beginning. If you need clarification on this, check if the lens flare effect is beginning to start below the first title at this point. Move your playhead to that point for the second snapshot.

Here, tap on the Split icon and remove the clip’s first half. Then, double-click on the second half and go to Animation. Press the Add button to insert a keyframe here and change the scale and position of the title at this point. Move it to the placement you want, right above the lens flare. Also, drag the slider for the Opacity parameter to zero at this point.

Subsequently, move the play head to the point when the lens flare effect stop, which is around 2 seconds more. At this point, you have to add another keyframe and change the Opacity to 100.

Play the preview of the whole thing to see how the effect looks in completion.

Conclusion

Indeed, the strobe light effect in the title of movies or videos of different lengths can effectively create a heart-stopping moment on the screen. Moreover, it can work to incite a feeling of anticipation in viewers, especially with the right music beat in the backdrop.

Using Filmora will allow you to add the cinematic effect quickly and efficiently with simple, quick steps. Follow the phases mentioned in this post while trying out different variations before settling on your final shot choice.

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